“A Slightly Vain Exercise in Style,” by Pierre Senges, appears this month in print in Vestiges_02, in a translation by yours truly. You can purchase it now if you are so inclined at the above link. Lots of stuff in there. I haven’t seen the table of contents yet, just the list of contributors.
The anthology is themed around the topic of boredom, and it was something of a coincidence that I had a translation of “A Slightly Vain Exercise in Style” approaching completion when they announced the call for submissions. The fit is more or less perfect — when one feels bored, what better antidote than slightly vain exercises in style? Although, let me say, it is never boring to read Pierre Senges.
This piece really shows Senges at his best in short form, the freewheeling style, the impudence, the irony, the proliferation of allusions to the history of art and literature.
Sometimes, on Sundays, not having any mass to celebrate, nor to profane, no church in the vicinity to scandalize with his presence, no guests expected, no lunch to plan for Tuesday or Wednesday, nothing else to do, then, but find an outlet for his immense solitude, his eternal and majestic solitude of centuries past and the castle, Count Vlad Tepes of Romania, last name Dracula, used to give himself up to slightly vain exercises in style. Sometimes, in winter, along the coasts of the Black Sea, when the ice had frozen every river to its mouth and made even the water in the wells inaccessible, when the cold had sealed shut the door of his house, and bestowed on straw the rigidity of iron, when the snow piled waist high supposed immobility, when there was no choice but to stay in bed and revisit for the thousandth time memories of happy, sun-drenched Rome, exclusively inhabited by couples in love, Ovid used to give himself over to slightly vain exercises in style […] Every single day or nearly, after purging herself of commonplaces, of lies, confessions, jeremiads, idle gossip, repetitions, imitation, of speech, clichés, clichés of every sort, and of a certain naïve confidence in the power of her pen, Emily Dickinson used to give herself to slightly vain exercises in style.
I think Black Sun Lit has a really interesting aesthetic, and I’m glad to be in Vestiges again, alongside so many others. Last year they published my translation of Mallarmé’s long, typographically radical poem, “A Roll of the Dice Will Never Abolish Chance” in their inaugural issue, Vestiges_00. Check it out.
When my copy arrives in the mail I’ll post some snapshots. Looking forward to that day.