Maddy’s desk faced the west window, which was even wider than the south or north. In his swivel chair past and present found shape: steel and white enamel plasticompo and the button that ran the swivel won only a tense counterpoise from the truth that this chair was in idea the same swivel Thomas Jefferson invented.
– Joseph McElroy, Hind’s Kidnap, Harper & Row, 1969. P. 53.
Jefferson’s revolving Windsor chair which he purchased in 1775-76. The writing arm was added later at Monticello. (Courtesy of the American Philosophical Society)
Every time I go to Ohio, I make a point to stop at Dark Star Books, a great used bookshop in Yellow Springs I’ve blogged about before. My latest trip yielded more good finds: two books by Lynne Tillman, Svevo’s Zeno’s Conscience (trans. William Weaver), Stanley Elkin’s The Living End, and Frederick Exley’s A Fan’s Notes (Harper & Row, 1968). As soon as I glanced at the cover, I recognized the painstakingly detailed and ornate artwork of James Spanfeller.
I recognized the style, and the face, from the incredible dust jacket of Hind’s Kidnap: A Pastoral on Familiar Airs (Harper & Row, 1969). Click on the image, zoom in, and look closely; you’ll see grasshoppers, pupae, birds, and more there in Hind.
Both these books were produced under the editorship of legendary editor David Segal, who was at Harper & Row before moving to Knopf in about 1970. A little light research shows that James Spanfeller also did these other book illustrations — each quite exceptional, I think. Photos culled from a Google Image search.
I also see, for those who are interested in digging deeper, that Spanfeller did illustrations for Pages from Cold Island by Frederick Exley, Little Men by Louisa May Alcott, Quill by Robert Steiner, and various other books by Larry Niven, May Sarton, and Julia Cunningham. Various other great illustrations are online here.